Artist, Julie Freeman, viewing imagery relating to Women in Revolt exhibition, as part of a 2-day workshop in preparation for Patterns of Power, Late at Tate Britain.
Patterns of Power
Digital Data Response to Women in Revolt
Taylor Digital Studio, Late @ Tate Britain, 5 April 2024
6.00pm: Doors Open
6.00pm to 8.00pm: Meet the team and contribute ‘data’ to the project
8.00-8:45pm: Women in Revolt Live AI Performance & Q&A
9.00pm: Close
Join us from 6pm to talk and create with the team behind Patterns of Power– a project that brought together artists, data specialists, coders, researchers and creatives to explore critical data mapping and storytelling through the lens of Women in Revolt! at Tate Britain. From 8pm, you are invited to join the team in a live dialogue with an AI ‘entity’ developed based on the data gathering of the project. The project is part of an initiative at Tate Britain, Electronic Life, working with young people to experiment with and challenge AI and new digital technologies. See full Late schedule →
Read more about the exhibition, Women in Revolt: Art and Activism in the UK 1970-1980 → | Watch the trailer → | Read Guardian review →
Patterns of Power is led by independent curator, Hannah Redler Hawes with artist Julie Freeman, notable for their work in the area of art and data. It is part of Electronic Life, devised by Ed D’Souza and Sunil Manghani, from Winchester School of Art, with key contributions from coder Tom Savage and artist Léllé Demertzi based at The Alan Turing Institute. Patterns of Power was co-designed by young people from Element and Tate Collective Producers, with support from Women in Revolt! curator, Linsey Young, and Tate Learning.
